Howard Eaglestone is an artist with more than 30 years experience teaching Art. He was Head of Painting on BA Hons Fine Art & Design at Bradford College.
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Ian Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.
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The of Ideas forming. Sleeve du Jour: Day 7
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Alabaster for my brother’s 60th, made during the 2020 Covid-19 lockdown.
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As we move further into 2020 it is time for an update on what is happening here at BasementArtsProject with regards to our programme.
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This post from the studio of Ian Pepper, focuses on another aspect of his work which involves collage:
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The folks at Beyond Photography have devised a downloadable publication to assist people with their creativity during the lockdown period.
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BasementArtsProject’s first encounter with Michael Borkowsky was in 2014 when he was one of the artists to exhibit in Jamestown, New York with SCIBase; a collaborative project between Liverpool based SCI collective and BasementArtsProject. Since then Borkowsky has exhibited twice at BasementArtsProject.
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The End
About a day before Easter we were awoken to strange noises coming from the direction of the window that had the scaffolding outside—as if workers were working on it—unlikely in the lockdown.
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Day 5 – SWANS – noise – SWANS – not buying ticket for forthcoming Liverpool gig – dog – Lulu – at maximum noise – SLAVE – mum – CHER – HER noise – ISIS – THIS IS – GOD – young god
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‘I Clap For An Art’ by Phill Hopkins is Hopkins riffing on a recent work entitled ‘I Pray For An Art’.
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Sometimes, without the need of confection for a plot, themes can emerge through the process of discussion and planning. I like to think that this is arts natural state, the continual process of discovery, research, reaction, change and consolidation, an alternative to the staid and retrogressive times in which we are currently living.
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Throughout my second year, I’d been undertaking a series of works that related to home and my family, and for part of the module I was required to research an art space that related to my work, and visualise my pieces within in it.
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Since we began this venture nearly a decade ago, we have been diligently chipping away underground, creating a place that serves both artists and community alike. Over time the project has become the foundation for a broad set of ideas that address many issues in art whilst speaking directly to the concerns of the local community.
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